Here is the last interview answer from Andy Davey our PCO Artist of the Month for August 2008.

Bloghorn asked him what’s the future for cartooning in the digital age?

I’m sure cartoons will thrive and flourish, after they emerge from this difficult period, but in what form they will do this, I have no idea. It may be that animation will provide the extra selling point they seem to need in the rush to digital. It seems many people under 30 now think of animated cartoon art when they hear the word “cartoon”, so the deed may be already be done.

It’s increasingly difficult to get any kind of still, newsprint cartoon published at a reasonable fee, so it may have become less attractive to new entrants and this may lead to a downward spiral in the quality of work. But there are, still, good new people coming in*.

Interestingly, the route to being a cartoonist is usually circuitous or tangential; there aren’t any really useful training schools. This means it still attracts lateral thinkers, oddballs and eccentrics – thank goodness. Long may it do so. Satire and drawn humour are as natural (and enduring) as camel farts. The art-form might mutate but it won’t die.

Can I go now?

Bloghorn says click D for Davey.

* See some of it at this link British cartoon talent

Andy Davey is the PCO Artist of the Month for August 2008.
Bloghorn asked Andy some questions about what he does.

Which other cartoonists’ work do you admire?
Gerald Scarfe’s loose, carefree line, devastating caricature and command of so many styles is still pretty breathtaking. Steve Bell’s ability to nail a politician and produce the definitive image of the hapless soul (Major, Blair, Bush) is unparalleled. Matt’s ability to translate world events into demotic scenes of suburbia. Then there are the others – Robert Crumb for his weird Freudian cathartics. Thelwell for pretty much the opposite. Ken Reid, Tony Husband, Ray Lowry, Ralph Steadman, Larry, Ed McLachlan, Posy Simmonds … oh, and that Bill Stott fellow. There are many others. Anyone who makes me laugh out loud gets a special gold star.

Do you have any tips for wannabe cartoonists?
Oh bejayzus. At present, it looks like it would be recommending someone to train as a cordwainer or a wheelwright. Of course, there are several dozen scribblers making a good living out of it – and even cartoon Forbes-listers (Messrs Bell, Pritchett, Scarfe) but the rest of us live on hope, rejection and frozen peas. BUT, if you love doing something, then you just can’t stop yourself pursuing it – and it would be foolish to do so (as I have demonstrated to myself). So if that’s what you enjoy – DO IT, fer gawd’s sake, or you’ll regret it. Worry about the penury later – when the skinny-dog and pennywhistle combo begins to look like an upward career move.

Bloghorn says click D for Davey.

British cartoon talent

Ever wondered why some newspaper cartoons have so many symbols and badges in them? Let PCOer Martin Rowson explain a little about it in this Radio 4 interview about the symbolism of Russia as a giant bear. Clip from the Today programme.

British cartoon talent

Andy Davey is the PCO Artist of the Month for August 2008.

Bloghorn asked him how he makes his cartoons.

I draw with small pieces of broken china, dug up from the garden, while listening to Bach fugues on the wireless. Well, that’s not strictly true. I use pen and ink too … in fact, almost anything which will make a wet and awkward mark really (excluding live crocodiles).

I have tried computers, but I’ve reverted to the wet sensuous stuff – lovely large sheets of fat white watercolour paper, ink as black as jet, the rich wonderful unpredictable colours of Messrs Windsor and Newton, toothbrushes, nibs, blots, smells and mess – it’s wonderful. I’ve been working larger and larger lately – untroubled by the trivial annoyances of deadlines … or payment. I love the free sweep of a nib across virgin Imperial sized paper. It’s a bugger to scan though, even with an A3 scanner. I’m sure I’m going the wrong way here – everybody tells me the way forward is digital, digital, digital – including you, Mr Bloghorn – but you’re all wrong, I tell you – do you see? – Wrong! Ha ha ha (at this point, Mr Davey was heavily sedated under restraint).

Bloghorn says click D for Davey

It’s British cartoon talent

Andy Davey is the PCO Artist of the Month for August 2008.
Andy’s cartoons and caricatures have appeared in UK publications including The Guardian, The Times, The Sunday Telegraph, The Independent on Sunday, Private Eye, The Spectator, The New Statesman and Prospect. He has wielded his pen for TV too, drawing for the animated satirical cartoon series 2DTV and covering occasional political news events on Channel Five TV News and Sky TV News.

Bloghorn asked him a few questions, starting with a predictable one: What made you become a cartoonist?

First, I’m very embarrassed you asked me, because it’ll look like nepotism (Andy is the chairpersonman of the PCO, which runs Bloghorn – Ed). However, since you’re holding a water-pistol to my head …

The Voice from within made me do it, m’Lud. Hoarse from years of unacknowledged yelling, it shouted from atop a small grassy knoll somewhere in my gullet. It was only when someone asked me what all the shouting was that I took notice. Ah yes; the little noisy chap within.

He’d wanted to be a cartoonist from the age of about eight, seduced by an imagined life where ties were not essential but getting up late and being rather louche were absolutely expected. Although he didn’t know what louche meant. He wanted to draw characters from the pages of Wham! and Beano comics all day, essentially – with short breaks for football on the park – and saw a career in cartooning to represent just that.

My dour, rational self wilfully ignored such fancies and went about the long, long dreary task of establishing a deeply mediocre career in something hard, unrewarding and smelly (research chemistry). But the Voice kept shouting, letting up only while the usual unhealthy distractions of adolescence and early adulthood kept my mind off … well, anything really. Finally, I gave in – albeit far too late to build anything other than the career I have now.

Bloghorn says click D for Davey.

British cartoon talent

The newspaper “pocket” cartoonist is a rare but hardy breed, says PCO Chairman Andy Davey.

Spare a thought for the humble pocket cartoonist, guv? Be warned – you’ll need your field glasses to catch them. The Guardian has not replaced David Austin who died in in 2005. But even though they are a diminishing species due to this loss of habitat, there are several individuals in the field still visible. Pugh (The Times), Banx (Financial Times) and the untouchable Matt (Daily Telegraph) are all still going strong.

Pocket cartoons are still a pretty stout mainstay of British broadsheet front pages. And Matt is the only cartoonist to routinely get a name check during the newspaper round-up on Radio Four’s Today programme.

An Independent Line, a collection of cartoons from The Independent from the last fifteen years, now on show at the Political Cartoon Gallery, shows the work of one of the finest of the current dwindling crop – Tim Sanders.

Purely in terms of wall space and press coverage, Tim is drowned by his brothers-in-ink, Dave Brown and Peter Schrank. But as an observer of current social trends, he’s up there with the best.

Osbert Lancaster is often credited with establishing the format in UK newspapers, and a rich array of talent in the form of Mark Boxer and Mel Calman (whose work can still be seen on greetings cards) and others emerged in his wake.

Pocket gags are a slice of social history; you can gauge the feel of any era by looking at the pocket cartoons. To set the scene, define the characters and make a gag about current social or political trends is no mean feat in a single newspaper column, so hats off all round, please laydeezangennemen.

An Independent Line is at London’s Political Cartoon Gallery until October 18.

The PCO: British cartoon talent

One of the problems in being able to express yourself through drawing is having your work “borrowed” or “passed off” as the product of someone else.

This is an occupational hazard if you draw to make your living, but it is irritating. Actually this is theft because traditionally, full-time, commercial artists and cartoonists sell the rights to publication of their work. This business model is destroyed by free and easy copying.

The Bloghorn is going to highlight particularly bad examples of this as and when they turn up. To illustrate this intent, here is a link to an example of image theft from early in 2007. It comes from the blog of Matt Buck and concerns the work of fellow member Andy Davey. There was some interesting follow-up to the actual theft of Andy’s images and fellow PCOer Morten Morland blogged about that.

The PCO: Full-time, professional British cartoon talent

First person testimony on how it feels to try and make something this big in less than ten hours comes from PCOer Pete Dredge.

’For the majority of our working year we toil away in solitary isolation, hidden away, apparently unloved and unsure of our worth. Two days in Shrewsbury’s town square working on a big board in front of an appreciative audience and we leave with enough ego to see us through the next twelve months. Thank you people of Shrewsbury.”

Click the picture to enlarge it.
It’s British cartoon talent

Kipper Williams of The Guardian is one of this year’s PCO Big Boarders at the festival. Above is one of Kipper’s submissions to the “But is it Art?” exhibition, which is already open in the town.

The full list of cartoonist Big Boarders drawing at this year’s festival, over the weekend of Friday 18th and Saturday 19th April, is:

Steve Bright, Clive Collins, Bill Stott, Ross Thomson, Martin Honeysett, Alex Hughes, Pete Dredge, John Roberts, Matt Buck (Hack), Royston Robertson, Mike Turner, Noel Ford, Steve Best (Bestie), Dave Brown, Ian Baker, Chris Burke, Andy Davey, Neil Dishington, Paul Hardman, and Andy McKay (NAF).

PCOer Pete Dredge will be blogging tomorrow about how it feels to do a big board at Shrewsbury.

British cartoon talent

Cartoon by Peter Brookes of The Times

An exhibition entitled Cartoonists 2008 opens at the Chris Beetles Gallery in London on April 8 and runs until May 3.

It is the gallery’s second annual show devoted to the art of British cartooning, following on from its successful You Havin’ a Laugh? exhibition last year.

The show features cartoonists from publications such as The Times, The Sunday Times, Private Eye, The Spectator, Daily Express, London Evening Standard, the Telegraph and The Economist, and includes PCO members Andy Davey, John Jensen, Royston Robertson, Kipper Williams, and Mike Williams.

Original artwork is on sale, at prices ranging from £50 to £5,000.

The gallery, at 8 & 10 Ryder Street, St James’s, London, is open from 10am-5.30pm, Monday to Saturday. Tel 020-7839 7551, email gallery@chrisbeetles.com or visit the website.

British cartoon talent