It is more acceptable in the cultures of Japan, the US and across Europe to consider the narrative techniques and visual artistry employed by commercial artists as a powerful form for  business and personal communication as well as entertainment and teaching.

The best single piece of evidence we offer is the attitude of the UK arts funding body – The Arts Council –  towards the national Cartoon Museum* which despite its popularity, and the long history of the form in the UK , receives no central funding. We wrote about this here.

Of course, there are some exceptions in this country – political cartooning, for example, tends to receive grudging respect for its obviously satirical and “real-world” relevance. But all too often, the “cartoon” and “comic” are used here as catch-all terms for anything that is unsophisticated, childish or tacky.

Dundee University is launching a degree in comic books. That'll show those who say degrees are being dumbed down!

6th June 2011 10:32 pm via TweetDeckReplyRetweetFavorite

@TomHarrisMP

Tom Harris

Another political figure, the Speaker of the House of Commons, John Bercow, did exactly that last week. Criticising the Daily Mail, he described the paper as a “sexist, racist, bigoted comic cartoon strip”(Bloghorn is only interested in the second half of that assertion, which we feel is a little unfair).

Academic appreciation of cartooning is, in fact, not new: since 1973, the University of Kent has hosted the British Cartoon Archive, a collection of more than 150,000 pieces intended to encourage the study and appreciation of cartoon art, including comic strips. The Cartoon Archive is freely open to those wishing to carry out research, and is actively involved in promoting the art form – often in collaboration with the national Cartoon Museum, the PCO and its fellow cartoonists organisations, the BCA and the CCGB.

Bloghorn is made by Matthew Buck, Royston Robertson, Alex Hughes and Rob Murray on behalf of the UK Professional Cartoonists’ Organisation

* We say please consider becoming a member to help fund them

• Musical comedian and sometime Oink! cartoonist Frank Sidebottom’s creator Chris Sievey has died.
• New museum for cartoon illustrator Heath Robinson has opened in Pinner, North London.
• The US comic strip Little Orphan Annie (probably better known over here for the musical version, Annie) has finally come to the end of it’s 86 year print run.
• Cartoonist Rolf Harris opened the Glastonbury Festival whilst cartoon band Gorillaz headlined over the weekend.

With Gordon Brown I’ll start with the hair, increasingly grey and much more coiffured these days. Then come the heavy, angry eyebrows above creased eyes, one unsighted because that is the unfortunate reality. The nose is short and stubby, with a flat base. The fleshy-lipped mouth is open in that odd gurning movement he makes with his jaw as he speaks. The ears are large, round and red. There are deep marks on the cheekbones that, with the bags under his eyes, give him that knackered, saturnine look, particularly when I add a blue-grey wash for five o’clock shadow. Sometimes I think I’ve just drawn Nixon.

Secondly, from the other end of the British cartooning spectrum we have Watchmen artist Dave Gibbons demonstrating, with video, how he goes about drawing a character digitally using a Wacom Cintiq tablet and Manga Studio software.

Of course, if you would like to see cartoonists demonstrating their skills in the flesh, we would heartily recommend you head to this years Shrewsbury Cartoon Festival, 22nd to 24th April 2010. But, if you can’t make it in person, we’ll be providing full coverage here on Bloghorn.

Also released this year is a series of stamps featuring characters from US comic strips, including Calvin and Hobbes, Garfield and Beetle Bailey. The set, titled Sunday Funnies is due to go on sale in July.

Bloghorn asks: What cartoonists or comic characters would you like to see on British postage stamps?

Comic artist David Lloyd (of V for Vendetta fame), cartoon historian Paul Gravett and teacher Steve Marchant (author of The Cartoonists’ Workshop) have created cartoonclassroom.co.uk. They plan to to centralize all information relating to the study of cartoon and comic strip creation in the UK.

The website launches officially in early October and the trio are currently looking for cartoonists who teach or who would be interested in sharing their skills to register interest at www.cartoonclassroom.co.uk. Alternatively, you can contact them direct here.

Steve Marchant

Cartoonist Tim Harries demonstrates how to draw a Big Board cartoon from start to finish, at this year’s Shrewsbury International Cartoon Festival

The presenter described such images as ‘cartoons’. Perhaps he meant drawings or simple visual communication, or even art, but to be honest, the feature was so badly constructed it was difficult to know exactly what was meant.

However, the casual use of the term cartoon felt like the denigration of a trade; cartoon equals grubby, worthless, evil.

Clip available – 2hrs 22 minutes into Radio5Live for Wednesday morning – 28th May 2008 available on the BBC’s IPlayer.

Basically decent British cartoon talent

As you might expect, each month a different cartoonist takes the reins and talks about cartooning, their influences, how they work, and so on – while providing lots of cartoons and sketches of course.

This month’s contributor is Barbara Smaller and if you click on the archive section you can see the first two, Mick Stevens and Michael Maslin.

British cartoon talent