Bloghorn spotted this great work this week …

One: Nick Newman in the Spectator on Ross and Brand

Two: Christian Adams in the Telegraph: Peter Mandelson – three strikes …

Three: Royston Robertson in Reader’s Digest: No man is an island

Week ending 31st October 2008

The PCO: British cartoon talent

PCO members will be taking part in “Transports of Delight” at St Pancras International Station in London on Saturday (October 18). The event is part of the annual, month-long Big Draw campaign, which is designed to get the nation drawing.

The PCO will be running cartoon workshops at the event and taking part in the ever-popular Battle of the Cartoonists. Under the expert stewardship of the PCO’s Festival and Exhibition Co-ordinator, Pete Dredge, a crack team of volunteers has been assembled for the day’s activities.

Workshops by members Paul Hardman, Chichi Parish, Robert Duncan, Tim Harries and Terry Christien (plus guests) will take place between 10am and 5pm. Come along if you want to learn how to draw cartoons, caricatures and comic strips.

The Battle of the Cartoonists kicks off at 3pm and runs for two hours. The PCO team, featuring Robert Duncan, Kipper Williams and Royston Robertson, and captained by Pete Dredge, will take on Private Eye, The Guardian and the Independent.

The PCO’s 2007 Battle of the Cartoonists team in action

Previous Big Draw attendees will know that the winning team is decided via extremely vocal public approval, so please come along and do bring any loudhailers and male voice choirs you have lying around. And how will you know who the PCOers are at the Big Draw? Oh, we’ve thought of that …
Yes, red is most definitely the new black. This is the Team PCO T-shirt to be worn by workshoppers and the Battle of the Cartoonists team. Team captain Pete Dredge told the Bloghorn: “Some unscrupulous attempts at ‘tapping up’ team members by other team leaders have been firmly stamped on, and I’m confident my lads will deliver on the day.”

Activities will take place in The Circle – 2nd side entrance on St Pancras Rd and opposite the German Gymnasium. The dedicated area will be marked out with artificial grass and picket fencing for that summery October feeling. Hope to see you there.

The Big Draw: Get involved

The PCO: Great British cartoon talent

Breaking News on Bloghorn…

The PCO team for this year’s London Big Draw event is confirmed. Team skipper, Pete Dredge (Private Eye regular) will be leading Robert Duncan (Not particularly orange cards), Kipper Williams (The Guardian) and Royston Robertson (Prospect, Readers Digest, Private Eye) into the suitably absurd Battle of the Cartoonists.

The 12 feet long, two-hour epic PCO banner from 2007, hung up, or out, to dry.

You can find details and a report from Bill Stott on the 2007 event here.

PCO members will also be running workshops throughout the day, featuring the many coloured skills of Tim Harries, Chichi Parish, Matt Buck, Andy Davey and Paul Hardman among others.

We will be publishing more details in the run up to the big day on Saturday 18 October.

It’s British cartoon talent

PCOer Royston Robertson says we cartoonists need to lighten up about media coverage of our profession

There’s no doubt that cartoons are enjoying an unusually high profile in the British media at the moment.

We’ve seen acres of coverage for the launch of new kids’ comic The DFC (left), the 70th anniversary of The Beano and Phill Jupitus’s comic strip programme on Radio Four. There has even been a graphic novel serialised in The Times.

So, are cartoonists happy about this? Not a bit of it.

I agree with Neil Dishington, who wrote on this blog yesterday that the Phill Jupitus thing was nothing special, but is that because we’re cartoonists and therefore he’s preaching to the converted? I think it’s likely that many listeners would have found Jupitus’s sincere enthusiasm about comic strips quite infectious.

Isn’t it a good thing that shows like these exist? Is it not the case that the only thing worse than the media talking about cartoons is the media not talking about cartoons?

But they misrepresent cartooning, some cartoonists cry, it’s obvious they don’t know what they’re talking about. Well, maybe. I’m sure I heard James Naughtie talking about “animators” at The Beano on the Today show on Monday, but is there a single profession that doesn’t think it is often misrepresented by the media? I know journalists who think the media misrepresents them.

Another common complaint is that any media obsession with cartoons is just a passing fad. Again, that may be true, perhaps they’re using cartoons to cheer us up amid all the credit crunch stuff, but then that is the role of most cartoons. And let’s not forget that the media treats many subjects in a faddish way before moving on to the next thing.

And as for the grumbling over celebs such as Jupitus drawing cartoons, cartooning has always been something where everyone wants to have a go. That’s because it’s fun. We often encourage that attitude, at events such as The Big Draw and the Shrewsbury Cartoon Festival.

All you can do is keep on doing good cartoon work and hope that those who commission cartoons for publication will realise that it is best to go to a professional.

The PCO: Professional cartoon talent

As cartoonist-turned-comedian Phill Jupitus prepares to talk of his love of cartoons on the radio, PCOer Royston Robertson looks at some other celebrities who once wielded drawing pens

MEL CALMAN called his autobiography What Else Do You Do?, after the question that is so often put to cartoonists. In fact, there appear to be many cartoonists who not only did something else, but found that that occupation eventually made their name, to the point where the career in cartooning became a largely forgotten footnote.

It was only after the death of the comedian Bob Monkhouse that I heard that he had once been a cartoonist. And quite an accomplished one. He had worked for Beano publisher DC Thomson.

A cartoon by Bob Monkhouse of PCOer Noel Ford, along with a photo of Bob working on that very drawing. Noel, who once worked with Bob at the BBC, assures us that he really did look like that weird in the 1970s

At about the same time, I read an article about the novelist John Updike and how he had been obsessed with cartoons as a child. Updike also tried his hand at being a cartoonist before coming to his senses and deciding that writing was the better path to take. It was certainly the more lucrative.

Another writer who has dabbled with cartooning is Will Self. Some of his work can be seen in a compilation of his newspaper and magazine articles called Junk Mail. The drawing is crude but some of the gags are pretty good.

BBC 6Music presenter Marc Riley, formerly “Lard” of Mark and Lard fame on Radio One, and an ex-bass player with The Fall, is another ex-cartoonist whose drawing was somewhat on the crude side. You may remember his Harry the Head from Oink! Comic. He also appeared in photo strips in Oink! He was the guy with the big nose.

Another former cartoonist is broadcaster Andrew Collins, also an ex-New Musical Express journalist, EastEnders scriptwriter, Radio Times film writer and general overachiever. He chronicled his love of cartoons and half-hearted attempts to make a living drawing owls and wizards for puzzle magazines in Where Did it All Go Right and Heaven Knows I’m Miserable Now, his bestselling memoirs of growing up in the 1970s and 1980s.

Talking of the NME, anyone who used to read the music paper in the early 1990s may remember a cartoon drawn in the style of Gillray called Dr Crawshaft’s World of Pop. But did you know that it was drawn by Arthur Mathews who went on to co-script the sitcom Father Ted?

So I suppose there’s hope for us all if we get disillusioned with the world of cartooning. Right, it’s time to get back to the drawing board/typewriter/record decks …

Comic Love is on BBC Radio Four at 10.30am on Saturday 19 July.

The PCO British cartoon talent

PCOer Royston Robertson reviews the exhibition
Pont: Observing the British at Home and Abroad at the
Cartoon Museum It’s probably asking for trouble to use the word “important” in relation to a cartoon exhibition, but it seems applicable here as Pont, who was known as Graham Laidler to his mum, is so often overlooked when histories of cartooning are written.

Also, these cartoons from the 1930s were clearly instrumental in helping to creating the magazine cartoon as we know it today. And a tribute to their worth is the fact that so many are laugh-out-loud funny, even now.

Pont’s The British Character cartoons, which appeared in Punch and make up a large chunk of the show, still seem to hit the nail on the head. Even the captions in themselves are funny: “Fondness for laughing at our own anecdotes”; “Passion for not forgetting the moderately great”; and, my particular favourite, “A tendency to leave the washing-up till later”.

The drawings demand your attention, and repay you with lots of brilliant details. Look at that impatient left foot in the drawing above! In “Life in the Flat Above”, part of the Popular Misconceptions series, we see every member of the family jumping up and down on the floor and clanging pots, but look closer and you see that figures in the paintings on the walls, including an elephant, are also jumping.
Laidler died at 32, a tragically short life, but what a groundbreaking legacy he left. The cartoon above looks like a 1930s precursor to the melancholy of Charles Schulz’s Peanuts.

So it’s an important show, but it’s mostly just very, very funny. The exhibition, which includes a comprehensive and reasonably priced catalogue, is at the Cartoon Museum until July 27. Go and see it.

The Cartoon Museum website

The PCO: British cartoon talent

Kipper Williams of The Guardian is one of this year’s PCO Big Boarders at the festival. Above is one of Kipper’s submissions to the “But is it Art?” exhibition, which is already open in the town.

The full list of cartoonist Big Boarders drawing at this year’s festival, over the weekend of Friday 18th and Saturday 19th April, is:

Steve Bright, Clive Collins, Bill Stott, Ross Thomson, Martin Honeysett, Alex Hughes, Pete Dredge, John Roberts, Matt Buck (Hack), Royston Robertson, Mike Turner, Noel Ford, Steve Best (Bestie), Dave Brown, Ian Baker, Chris Burke, Andy Davey, Neil Dishington, Paul Hardman, and Andy McKay (NAF).

PCOer Pete Dredge will be blogging tomorrow about how it feels to do a big board at Shrewsbury.

British cartoon talent

Cartoon by Peter Brookes of The Times

An exhibition entitled Cartoonists 2008 opens at the Chris Beetles Gallery in London on April 8 and runs until May 3.

It is the gallery’s second annual show devoted to the art of British cartooning, following on from its successful You Havin’ a Laugh? exhibition last year.

The show features cartoonists from publications such as The Times, The Sunday Times, Private Eye, The Spectator, Daily Express, London Evening Standard, the Telegraph and The Economist, and includes PCO members Andy Davey, John Jensen, Royston Robertson, Kipper Williams, and Mike Williams.

Original artwork is on sale, at prices ranging from £50 to £5,000.

The gallery, at 8 & 10 Ryder Street, St James’s, London, is open from 10am-5.30pm, Monday to Saturday. Tel 020-7839 7551, email gallery@chrisbeetles.com or visit the website.

British cartoon talent

Cartoon by PCO member Royston Robertson (after Damien Hirst) submitted for the “But is it Art?” exhibition

The Shrewsbury Cartoon Festival is fast approaching. The 2008 event takes place on the weekend of April 18-20.

The theme this year is “Art” and one of the highlights will be an exhibition of new work by festival cartoonists, including many PCO members, entitled “But is it Art?” which will run from March 30 until April 26.

British cartoon talent

Glad tidings from North Eastern Kent in the UK from whence PCOer Royston Robertson has successfully dispatched one of his cartoons all the way to the Antarctic. A distance of 10,602 miles or thereabouts. The South African National Antarctic Expedition asked if they could use a cartoon of his, which first appeared in Reader’s Digest magazine, on their team T-shirt for this year’s trip to Antarctica.

Who could turn down an offer like that? And there is more good news concerning Mr Robertson who has happily signed up to help write and look after The Bloghorn. Lapsing into third-person diary speak, Bloghorn is most delighted about this. Click R from here to see more of Royston’s work. British cartoon talent