As the pencil of 2010 contacts the eraser of 2011, Bloghorn thought it was time to record some of the year’s highs and lows – and to speculate about the new year.

But first, news of a PRIZE competition which will be coming on Bloghorn over the New Year Bank Holiday weekend … so watch this space.

© Ray Lowry cartoons The Clash

You can explore our full monthly archives of stories from the world of UK cartooning in 2010 at: January - February - March – April – May - June – July – August – September – October – November and December.

Team Bloghorn with the banner at the 2010 Battle of the Cartoonists

As you can see it’s been a packed show, featuring a fantastic Ray Lowry retrospective, above, at the Idea Generation Gallery, mixed with the odd rotten moment like losing Les Gibbard. We have had the fantastic highlights of our traditional events such as the Big Draw and Shrewsbury International Cartoon Festival and, happily, the late great Alan Coren rose from the grave and provided  a shot of welcome wisdom.

After that we played Draw and Fold Over before reading a freshly minted copy of Foghorn magazine. What? You haven’t yet subscribed to six issues a year for only £20? Kindly do so here, now.

The promised appearance of The House of Illustration in London has long cheered many as this will be a sister organisation to our long-time favourite The Cartoon Museum, which lies close to the proposed new attraction at King’s Cross in London. The £6.5m fundraising target is stiff but site building has started and you can read more about the full plans here. Meanwhile, the crew at The Cartoon Museum excelled themselves with a fine range of shows and events, excelling with a fantastic Ronald Searle display as the man reached his 90th birthday.

What’s the difference between cartooning and illustration Bloghorn hears you ask?

Try these definitions from the Merriam-Webster dictionary, although we thinks Searle shows the interchangeability of the terms about as well as anyone.

Car-toon – noun
From the Italian cartone pasteboard, cartoon, augmentative of carta leaf of paper.

Ill-ust-rat-ion noun
Something that serves to illustrate: an example or instance that helps make something clear : a picture or diagram that helps make something clear or attractive.

Wikipedia has a definition here for print media which references Punch, the magazine which our former patron Alan Coren used to edit.

Happily, the past year has also seen terrific development in the way cartoons are being used in media and the possibilities, and markets will grow in the new year. We’ve got evidence below from The Times and its current TV advertising. You can find a link to the cartoon they are promoting lower down this article …

Of course, we work on non-mobile television too, check out the titles to the new BBC adaptation of Just William and bow to the pen of cartoonist Ed McLachlan.

You’ll find a fantastic selection of the UK’s finest cartoonists working in all forms of the art at our UK Professional Cartoonists’ Organisation portfolio site which we will also be updating during 2011.

On the site the new and less-and-less unusual Government can expect its usual share of drawn innovation and horror – try Strictly Coalition for a start. In similar fashion, we wrote disobliging things about some parts of the Arts Council England because they sometimes deserve it.

© Jonathan Pugh of The Daily Mail

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Forza Cartone!

Bloghorn is written, edited and maintained by Matthew Buck, Royston Robertson and Alex Hughes,  on behalf of the UK Professional Cartoonists’ Organisation. You can contact the team here.

A burst of British Weather meant that Saturday’s Big Draw events on the South Bank in London had to be swiftly moved, from the open-air space of The Scoop, next to City Hall, to the nearby Hay’s Galleria.

The cartoonists’ spirits were not dampened by this turn of events, however, even though the move meant that many of us precious artists, unused to heavy lifting as we are, had to carry our own trestle tables.

PCO members were on hand to provide workshops throughout the event, for budding artists young and old. These were run by Wilbur Dawbarn, Tim Harries, Chichi Parish, above, and The Surreal McCoy.
The Hay’s Galleria proved to be a great venue with lots of members of the public passing through and stopping to take part in the workshops and watch the Battle of the Cartoonists banners being created.

The Battle was hosted – impressively without the usual microphone or megaphone – by Maxwell Hutchinson, the architect and Sony award-winning radio broadcaster, seen here brandishing a copy of Foghorn, who did a sterling job of talking up the noble profession of cartooning in a suitably erudite manner.

For the Battle, the PCO’s victorious Team Bloghorn from 2009 was this year rebranded as Team Foghorn, in order to give a push to our sister print magazine.

The PCO team was, left to right, Cathy Simpson, Ian Ellery, Royston Robertson, Robert Duncan and Nathan Ariss. Cathy was standing in as captain for Pete Dredge, who co-ordinated planning of the banner beforehand but was unable to attend on the day. All banners were on the festival theme of “Make your mark on the future”.

We competed against three other teams: Private Eye (Andrew Birch, Henry Davies, Simon Pearsall and Steve Way), The Guardian (Steve Bell and Martin Rowson alongside Ben Jennings and Anna Trench who made their debut in the newspaper over the summer) and, due to the fact that the Financial Times team was unable to make it, a hastily assembled “Coalition” team (formed the day before by Matt Buck, Alex Hughes and David Trumble).

The Coalition team of Alex Hughes, David Trumble and Matt Buck get the right reaction from an onlooker

Blank canvas: Even Steve Bell has to start somewhere

Each of the groups that Team Foghorn faced included at least one PCO member, such is the reach of the organisation: Bell, Birch, Buck, Hughes and Rowson are all in the PCO.

This made losing – as the Private Eye team romped to victory in the traditional “cheer-o-meter” from the public – slightly easier to take! As did the usual camaraderie from cartoonists from all teams in the pub afterwards.

Our compere looks on as Andrew Birch, Steve Way and Simon Pearsall put their backs into the Private Eye banner, while Henry Davies puts his knees in

Another marvellous Big Draw then, and Bloghorn would like to say many thanks, as ever, to Sue Grayson Ford and all at The Campaign for Drawing.

Photos by Gerard Whyman and Denis Dowland.

The Campaign for Drawing has announced details of the launch event for this year’s Big Draw festival, which is called Make Your Mark on the Future.

The London launch takes place over the weekend of October 22 and 23 on the South Bank, between London Bridge and Tower Bridge.

Highlights will include free cartoon workshops run by the Professional Cartoonists’ Organisation and the returning Battle of the Cartoonists, featuring a Bloghorn team who will be defending their title following their glorious (and surprising) victory in last year’s cheer-off.

Other events include talks and workshops by artists in this year’s Jerwood Drawing Prize, Walk and Draw – a sketching tour of nearby memorials and people, an exhibition of Stephen Wiltshire‘s amazing drawings of the City, and a mural by the cartoonist Quentin Blake, the long-time Roald Dahl collaborator.

For more details, go to the Campaign for Drawing’s website or download a PDF with full programme and map.

Sue Grayson Ford Director of the Campaign for Drawing launched Big Draw 2010 on Monday. This year - Make Your Mark on the Future – will feature events and activities around the country throughout October.

The event also saw the official launch of the website drawandfoldover.com (as mentioned previously) with a special drawing by Posy Simmonds, Steven Appleby, storyboard artist Nesta Morgan and Bloghorn’s own, Matt Buck. The results were projected on a giant screen in the auditorium as they drew.

Winners of the Drawing Inspiration Awards received a certificate drawn by Quentin Blake and a cheque. These were presented to a variety of organisations and institutions for their work in promoting drawing and it’s use in education and for the public benefit. Winners included the Prema Arts Centre in Gloucestershire, Stockport College and Worcester Porcelain Museum. The Arts Award Prize was presented to 15 year old Phoebe Hill for her Giant’s Garden project at Lyme Regis ArtsFest. The Awards this year also featured the first overseas winners, with the Playeum Play Centre in Singapore being co-winner of the Barbara Whatmore Charitable Trust Awards and the Kecskemét Cultural and Conference Centre in Hungary being a runner-up.

Bloghorn should add that the adaptation of Posy’s drawn book Tamara Drewe premiered in Cannes at the film festival and will be out later in the year.

Bloghorn enjoyed this Drawandfoldover from contributors to the service made by our friends at the Campaign for Drawing. We were at the 2010 Big Draw national launch event yesterday and will have a report about it soon.

The Campaign for Drawing – the group behind such events as the Big Draw and the Battle of the Cartoonists – have launched a website to encourage the general public to get their pencils out called Draw and Fold Over. The site is an update of the Exquisite Corpse parlour game, where the player first draws a head, then folds the piece of paper over and passes it on to a friend to draw the torso and so forth until the finished picture is revealed. In keeping with the games humble origins, you can pick to draw with a variety of implements including ballpoint pen, marker or pencil, but for the internet generation you can also share your contributions with your friends by email, Twitter, Facebook and Myspace, and watch the image be redrawn in front of your eyes.

After several years as the plucky underdog, the Professional Cartoonists’ Organisation’s team, this year rebranded as Team Bloghorn, has finally emerged victorious from the annual Battle of the Cartoonists.

Our team came joint first with Private Eye in the Big Draw event in which four teams completed a large banner on the theme of “Now We Are Ten”, celebrating a decade of The Campaign for Drawing. They faced stiff competition from teams from The Sun and The Independent.

A banner year: The Bloghorn team was made up of, left to right, Andy Bunday, Clive Goddard, captain Pete Dredge, holding the cup, who oversaw proceedings, and Nathan Ariss

Work in progress: Clive and Pete get drawing. Click here, to see the full, completed banner

In a post-match interview, Pete told the Bloghorn: “Justice and victory at last for the PCO’s Battle of the Cartoonists’ team, albeit jointly with the Eye (Shurely shome mistake – Ed). What seemed like a clear-cut decision was mysteriously drawn out into a “cheer-off” head-to-head. And even then our clearly louder decibel reading was insufficient for us to be declared outright winners. A big draw indeed!”

Joint winners: The Private Eye team, left to right, Simon Pearsall, Richard Jolley and Ken Pyne, also a PCO member, with MC Andrew Marr, who is a patron of the PCO

But the event is not just about the glory of winning. PCO members Tim Harries, and Cathy Simpson were on hand to run drawing workshops for children and adults at the event, which took place at the Idea Generation gallery in Shoreditch, London.

Drawn to it: Cathy Simpson hosted a workshop for children

The workshoppers were ably assisted by The Surreal McCoy. All photographs here are by Gerard Whyman, who was on hand as the official PCO photographer.

Members of the Professional Cartoonists Organisation are taking part in a Travelling Moleskine project, as part of this year’s Big Draw event.

The idea is that a cartoonist makes his or her mark in the Moleskine notebook then passes it on, via Her Majesty’s post, to the next volunteer. The theme for the PCO’s Moleskine is “Naughtiness”. Ooer!

So far Matt Buck and Royston Robertson have drawn a couple of pages each, and the book has been passed on to fellow Bloghorner Alex Hughes. Other PCO members who have volunteered so far are: Chichi Parish, Bill Stott, Noel Ford, Nathan Ariss, Steve Bright, Jonathan Cusick, Cathy Simpson and Tim Harries.

Around 30 Moleskines have been sent out by the Culture Vulture, the organisation acting on behalf of the Campaign for Drawing, which stages the Big Draw every autumn.

More details on the Moleskines can be found at theculturevulture.co.uk

Back in November we blogged about the PCO’s team for Transports of Delight – a cartoon banner competition held at St Pancras rail station in London as part of the The Big Draw.

Well, now you can own a piece of cartooning history as the four banners in the competition (from The Guardian, The Independent, Private Eye and the PCO) are being auctioned off on eBay, with all proceeds going to the Campaign for Drawing, a charity whose purpose is to promote drawing as a tool to support learning, and cultural and social engagement for all ages and abilities.

The winning banner from The Independent (Dave Brown, Tim Sanders, Chris Burke and Bloghorn Editor Matt Buck)

The Guardian (Steve Bell, Martin Rowson, Tim Pond and PCO Chair leg Andy Davey)

Private Eye (Andrew Birch, Richard Jolley, Simon Pearsall and Ken Pyne)

and last but not least the Professional Cartoonists’ Organisation (Pete Dredge, Robert Duncan, Kipper Williams and Bloghorn writer Royston Robertson)

Hurry though, if you do want to make a bid, as the auctions end on the evening of Monday 22nd December!

The PCO: Great British cartoon talent
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A stylish performance in North London yielded nothing but glory for Team Foghorn as the PCOers narrowly failed to carry off the much-coveted Battle of the Cartoonists cheer-off trophy.

The squad of Pete Dredge, Robert Duncan, Kipper Williams and Royston Robertson delivered a fine performance on the competition theme – Transports of Delight – which we are republishing here. Scroll down to see all of the “First Class Gags”. Here are some pictures of the team in action (click to enlarge):

Wounded artistic pride was however much salved by the excellent surround sound as legions of keen children got stuck into the all-day cartoon and drawing workshops provided by the PCO. There was heroic work from Terry Christien, Paul Hardman, Chichi Parish, Lou McKeever, Robert Duncan, John Landers and the indefatigable Tim Harries, who in his spare time, also puts together large parts of our regular cartoon magazine – Foghorn.

The PCO had representatives in all of the competing teams in the Battle of the Cartoonists and as such can report exclusively from inside all of the competitions efforts.

Correspondent Ken Pyne, who played for Private Eye, said: “It’s like Rorke’s Drift with all these crowds.”

PCOer Martin Rowson moonlighted for The Guardian newspaper alongside Andy Davey. We paraphrase slightly: “We were robbed.”

Chris Burke played a blinder as a late substitute for the eventually victorious Independent team. Bloghorn’s Matt Buck, who played here too, said: “What a pleasant surprise.”

The Professional Cartoonists’ Organisation would like to thank the organisers and supporters of the Campaign for Drawing who organise the annual Big Draw events.

Here are the PCO’s “First Class Gags”. Click to enlarge. Images are copyright the various cartoonists. Photos by Royston Robertson.

The PCO: Great British cartoon talent